Hacks, but does not slash, but it tickles, and anyways let’s leave it at that.
Cutting lesser jidaigeki productions down to size.
All of ’em. That one too. Yeah, that one as well. Then those ones over there.
I guess it takes a code black (the Pacific Rim TV series) to make up for a code blah (the Pacific Rim sequel).
Okay, not “darker” per se but certainly more assertively dark, in case you like semantic games.
This show is as cute as the Dickens, son. (I’ll show myself out.)
There are better ways to fall asleep at night, but there are also worse ways!
Watching this show nearly left me in traction, so you better be grateful.
Some utopia, everyone’s getting their throats stabbed or their eyes gouged out or their families killed. Bummer.
I didn’t loathe the last Ryan Murphy show of 2020, but does that mean I liked it? Or that it’s any good?
Queue Thin Lizzy references from a hundred hack TV critics with clever to say.
A room with a view to horror, humor, heartache, heroism, and even horniness.
In which I Peele back the layers on the Twilight Zone”s modern day revival, now in its second season.
It’s time I admit that I’m probably always the wrong person to review anything Ryan Murphy writes or directs.
Tip for creators: I’m an easy lay for a really great, grabby title.
Ditch the burgers, gain a park plus tons of musical alums. Seems like a fair trade.
In today’s edition of “TV shows aren’t movies and movies aren’t TV shows”: TNT’s ‘Snowpiercer.’
Oh, Ryan Murphy, you historical revisionist rascal, you.
Back on FX and staking its claim as pretty much the best horror show you’ll find on television.
Back on the TV beat with what may well end up being one of my most enduring watches of the year, because nothing haunts the mind like child abuse.