No better way to preamble this piece than by saying that speaking with Trevante Rhodes was a humbling experience; he’s a gracious man, to say nothing of his talents as an actor or his Herculean physique, and while we did do some press about his new movie (Susanne Bier’s Bird Box), we talked more about male identity … Continue reading
It’s a thing in the entertainment biz that if a movie about subject A is released into the pop cultural wilds, inevitably another movie about the same subject will be released shortly thereafter. To wit: Andrew Neel’s Goat opened in theaters last September, detailing the intimate particulars of fraternity hazing rituals and rites of initiation. It’s … Continue reading
You’re aware, I imagine, that I am a member of BOFCA, the Boston Online Film Critics Association, and if you are aware of that, then you are also likely aware that every year, we vote, as critics groups do, to determine with authority which movies of the last 365 days were, in a word, “best.” … Continue reading
I’ve not yet stumbled upon a review of Moonlight that has found a way to associate the film’s message with the central philosophies of the Black Lives Matter movement, mostly because that movement is not germane to the film’s messages and because, I suspect, any white author writing about Barry Jenkins’ extraordinary second feature is smart … Continue reading
A Constant Visual Feast 