Review: The Dead Don’t Die, 2019, dir. Jim Jarmusch

A movie about zombies by one of the coolest filmmakers out there, starring a ton of people I like, should be a slam dunk, but then…what if it isn’t? Continue reading →

Review: The Souvenir, 2019, dir. Joanna Hogg

One of the most under-appreciated filmmakers in the world has released what’s already looking like her most-appreciated film, and Andy has mixed thoughts. (On the reaction to the film, not the film itself.) Continue reading →

Review: Hail, Caesar!, 2016, dir. Joel & Ethan Coen

Let’s get one thing outta the way: Hail, Caesar! is minor Coen brothers. It is not No Country For Old Men, though if we are using that as the yardstick separate “minor” Coens from “major” Coens, then nearly every film they have made since 2007 falls into the former category. You can instead lump Hail, Caesar! in with A Serious … Continue reading →

Review: Trainwreck, 2015, dir. Judd Apatow

“Think of Trainwreck as Amy Schumer’s comedy fed through Judd Apatow’s directorial dehydrator: It’s 124 minutes of everything we love about Schumer deprived of just enough bite and flavor to keep us tantalized, and not enough to make the experience special. To the credit of both Apatow and Schumer, who wrote the whole damn thing, … Continue reading →

Review: Moonrise Kingdom, 2012, dir. Wes Anderson

Moonrise Kingdom marks the most singularly Wes Andersony film of Wes Anderson’s career to date. It also represents a perfect vehicle for the quirks and tics that define his vision as a filmmaker– that impeccable and odd sense of style, seen in his set designs, costuming choices, and musical accompaniments, as well as the trademark … Continue reading →