New year, new feature. For context, I wrote a very long piece about my experiences completing the #52FilmsByWomen pledge in 2017; that piece didn’t pan out, being both too lumbering, too unfocused, and too performative for its own good. But there’s a positive outcome here, being this, a monthly feature for Paste Magazine, highlighting four to five … Continue reading
Here: Have some context. I saw The Strange Ones back in the summer of ’17 when a team of publicists were nice enough to send me a screener for the purposes of adding to my #52FilmsByWomen list. I waited for the film to become commercially available, and I waited some more, and then I stopped waiting … Continue reading
There’s very little about IFFBoston’s 2017 that I am not excited about. I’m always excited for IFFBoston, of course, for reasons I’ve elaborated on very recently on the pages of this very blog (and which I’ve probably talked about extensively in the deep past), so I’ll spare you my usual spiel on the subject. In 2017, I’m … Continue reading
