…look, you all knew this was coming. Here’s the thing about last Sunday’s Oscar ceremony: I don’t remember most of it. That might be a good thing. In my mind, the inability to recall vast swaths of the show signals the following: Nobody said anything embarrassing (a’la Travolta introducing Idina Menzel as Adele Dazeem) Nobody said … Continue reading
Fair warning: I really didn’t want to write this piece, and I’m doing it out of misguided obligation. Maybe I’m whining, but cut me some slack; I’ve already written about the #OscarsSoWhite fracas, and also contributed a handful of yadda yaddas to Paste Magazine’s annual Oscar preview (though I spend most of my yaddas turning my nose up at the … Continue reading
I woke up this morning and it struck me that last night was the air date for this year’s Golden Globes ceremony. Following being struck that first time, I was struck again by the realization that I have said nothing about them at any point; I have offered no commentary, presented no predictions, and yielded no … Continue reading
“For aficionados of brutal genre films, Alejandro González Iñárritu’s The Revenant has enough to keep you satisfied. Find scenes of bravura violence photographed by an eminent cinematographer (the great Emmanuel Lubezki). Find the vague impression of deep, abiding meaning. Find bear-mauling, equine disembowelment. Find rape, castration, graphic suffering. Find additional suffering. Find more suffering. And … Continue reading
A Constant Visual Feast 