Sundance 2022: Review Round-Up

Coming in just in time at (checks notes) a month and change since the festival wrapped. Continue reading →

“Introducing: Carlson Young”

Nice to meet her. Continue reading →

“‘Wild Indian’s Generational Pain Is Scattershot But True”

See, the title works because of racism. Continue reading →

Review: Crime + Punishment, 2018, dir. Stephen Maing

My remote Sundance rampage continues! (Sundancepage?) From soul-crushing Greek arts farts to a documentary about police corruption in America, specifically police corruption in the NYPD, the largest police in the country. Crime + Punishment is tangentially about brutality, because how could it not be, but it’s primarily about quotas: How arrest quotas are still in play among … Continue reading →

Review: Pity, 2018, dir. Babis Makridis

When we talk about modern Greek cinema, we’re guaranteed to talk about two filmmakers in particular, being Yorgos Lanthimos and Athina Rachel Tsangari. (Aside: Tsangari is a much, much, better filmmaker than Lanthimos.) This is so true that even when we talk about other Greek filmmakers, like Babis Makridis, we’re still talking about Tsangari and Lanthimos, … Continue reading →

Review: The Witch, 2016, dir. Robert Eggers

There’s not a lot that I have to say about Roger Eggers’ The Witch that isn’t perfectly encapsulated by a single line from Drew McWeeny’s review out of Sundance 2015. “I’m not sure how you explain what you want in scenes like these to kids,” he wrote of one specific and electrifying moment midway through the … Continue reading →