I’ve written some stuff about Wes Anderson and stop-motion animation in the past, tied to Fantastic Mr. Fox back in 2009, so I guess it’s only right that I wrote some stuff today, in 2018, about Wes Anderson and stop-motion animation tied to Isle of Dogs, his new and super complicated movie about an island populated by dogs. … Continue reading
In a word, Stéphane Aubier’s and Vincent Patar’s A Town Called Panic can be described as “madcap”. The film– essentially an extended big-screen episode of the French duo’s children’s television program of the same name– has a giddy, uncontrollable energy and a bottomless supply of imagination that defies anything resembling standard narrative conventions in favor … Continue reading
Hotbox. With his latest film, Fantastic Mr. Fox, Wes Anderson seems to have stumbled upon something truly revelatory in his career: The man was born to make movies using stop-motion animation. Anderson is a man obsessed with minutiae, the tiny details in a film that might seem trifling or inconsequential when looked at in a … Continue reading
I’m not a Hollywood insider. I’m not even a film insider. I have no contacts that exist in any realm of the cinematic world. I have never visited a set, or been given the opportunity to interview an actor or a director in regards to their latest anticipated film. So maybe my opinion on Wes … Continue reading
Sixteen years ago, a twisted little 3D animated film called The Nightmare Before Christmas hit theaters. Directed by Henry Selick, and written by the combined team of Caroline Thompson, Michael McDowell, and Tim Burton, Nightmare is a bizarre romantic children’s tale showcasing the efforts of the Pumpkin King (the King of Halloween) as he tries … Continue reading
A Constant Visual Feast 