Poor Scott Cooper. This guy, he just can’t make a movie I’m capable of tolerating. I bet he’s pretty bummed. I hated Out of the Furnace; I also hated Black Mass, a movie I took personally as a Bostonian. (Seriously, someone make a fucking movie about Boston that doesn’t hinge on bad accents for once, please.) Cut … Continue reading
Well, it was only a matter of time before we got here, wasn’t it? Strange enough, the end of season 2 of The Walking Dead feels like it came upon us faster than the finale of the first season; in part, I attribute this to the fact that watching the second half of S2 wasn’t half … Continue reading
I’m not sure what’s going on with the writing staff of The Walking Dead in the second half of season 2, but I’m not going to complain. After a stiff, uneven, and progression-free first half, the series has really taken off with four high quality episodes– probably none better than 18 Miles Out, though none … Continue reading
Two weeks ago, AMC’s The Walking Dead made its mid-season return to the air after a brief hiatus. I’m not at all worried about spoilers at this point– if you like the show, you saw what happened in the cliffhanger ending of 2.7, and if you haven’t watched the show then you shouldn’t be … Continue reading
If Sunday’s installment of The Walking Dead says anything, it’s that even Lori deserves some sympathy and maybe even redemption. Lori, for a boatload of reasons, has been saddled with the honor of being the show’s most well-despised character through and through; she’s duplicitous, she’s “bitchy”, and she’s just plain old hard to like. I … Continue reading
Full disclosure: I took a break from writing about The Walking Dead last week entirely due to Cherokee Rose being so utterly boring. When TV critics raise eyebrows at the progression of the series, it’s precisely due to the sloppy writing and pacing running rampant through 2.4; very literally, nothing happens throughout the entire forty minute block that … Continue reading
Save the Last One suffers from one major problem: telegraphing. I rather liked the episode overall, and feel that it keeps up the narrative push and character development which made Bloodletting so good, but 2.3 gives away a pretty shattering end-of-episode reveal in its opening scrawl. I don’t know that that particular misstep ruins the episode, but Phil Abraham’s … Continue reading
A Constant Visual Feast 