Tagged with science fiction films

“‘Strawberry Mansion’ Review: The Best Sci-Fi Love Story Since ‘Eternal Sunshine'”

“‘Strawberry Mansion’ Review: The Best Sci-Fi Love Story Since ‘Eternal Sunshine'”


I don’t always write my own headlines, and when I do, I usually say: Take it well-salted. A headline is supposed to be a little clicky. In this case, though, I think I agree, but it’s been so long since Eternal Sunshine of the Spotless Mind that I can’t say for sure. Still: It’s a reasonable … Continue reading

Review: Mrs. Hyde, 2018, dir. Serge Bozon

Review: Mrs. Hyde, 2018, dir. Serge Bozon


Nothing like watching a weird-ass movie adaptation of one of your favorite books that is nigh-unrecognizable from the book, am I right? I doubt Serge Bozon wants me to be mad about Mrs. Hyde; I doubt he made the movie expecting it’d actually make anyone mad. Without a doubt, though, I can say that the movie did … Continue reading

Review: Mute, 2018, dir. Duncan Jones

Review: Mute, 2018, dir. Duncan Jones


King bummer: Mute, the new film from Duncan Jones, sort of kind of really, really, reeeeeally sucks. I’m a fan of Jones dating back to his debut, Moon, which, hey, good news – that movie is still super great. (Additionally, Source Code, his follow-up to Moon, remains solid, too, though a much lesser effort than Moon.) But the more movies Jones … Continue reading

Does ‘Valerian’ Deserve a Second Act?

Does ‘Valerian’ Deserve a Second Act?


Simple answer to the question posed by the title of my latest piece at The Hollywood Reporter: Yes. Yes it does. Luc Besson’s latest and underloved summer CGI extravaganza, Valerian and the City of a Thousand Planets, has its flaws, most of them being tied to Dane DeHaan’s ill fit as the cocky action hero type, … Continue reading

Review: Alien: Covenant, 2017, dir. Ridley Scott

Review: Alien: Covenant, 2017, dir. Ridley Scott


First thing’s first: Here’s the link to my review of Alien: Covenant at Paste Magazine. Second thing’s, uh, second: Spoilers. I have to get some shit off my chest after the baffling defenses mounted in the film’s favor by some of the most respected names in contemporary film criticism, mostly because their defenses hinge on the … Continue reading

Review: The Discovery, 2017, dir. Charlie McDowell

Review: The Discovery, 2017, dir. Charlie McDowell


I really liked Charlie McDowell’s The One I Love, so imagine my disappointment when I watched The Discovery and found that it’s a pile of reluctant, hedging, self-doubting faux-spiritual feel-good nonsense. (“Feel-good” might be a stretch, but boy, the movie bends over backwards to get in as many cheap hugs as possible.) I didn’t hate it, but … Continue reading

Review: Arrival, 2016, dir. Denis Villeneuve

Review: Arrival, 2016, dir. Denis Villeneuve


I’m on again, off again with Denis Villeneuve; I’m unabashedly wild about Enemy, but I never could stand Prisoners and I can only enjoy Sicario as long as I don’t think too much about it. With Arrival, I’m closer to Enemy than not – it worked on me, and worked on everyone around me, which may be because it’s genuinely good … Continue reading

Review: Chappie, 2015, dir. Neill Blomkamp

Review: Chappie, 2015, dir. Neill Blomkamp


“Your enjoyment of Chappie will depend entirely on how high a premium you place on originality. The film’s influences announce themselves loudly and proudly; if you’ve seen Short Circuit, Short Circuit 2, and RoboCop, you have seen Chappie, or at least you’ve seen its skeleton dangled from a hang-up stand á la Budget Bart. But … Continue reading

Review: The World’s End, 2013, dir. Edgar Wright

Review: The World’s End, 2013, dir. Edgar Wright


Picture The World’s End as a bittersweet layer cake, a film about the double-edged sword of growing up that also serves as the capstone offering in Edgar Wright’s Three Flavours Cornetto trilogy. Have nine years really passed since Wright, along with his go-to leading men, Simon Pegg and Nick Frost, vaulted into national prominence with … Continue reading