Remember back in 2015, when I reviewed every single dang episode of the first season of Jessica Jones? A couple years later, here I am up at The ARTery, compromising by reviewing just the first five episodes of the series’ new season, which is available for streaming on Netflix now. Bad news: It’s not as good as the … Continue reading
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TV Review: Jessica Jones, 1.11, “AKA I’ve Got the Blues”
“Jessica Jones has made a point of being judicious with flashbacks; they’re used sparingly when they’re used at all, and they never overstay their welcome. Take, for example, “AKA The Sandwich Saved Me,” which visits a Jessica and Trish in the B.K. (before Kilgrave) days of their friendship, when everything looked bright and optimistic (by … Continue reading
TV Review: Jessica Jones, 1.09, “AKA Sin Bin”
“…well, that got out of hand quickly. Nobody would ever mistake Jessica Jones for a planner. That’s not to say she is incapable of planning; for reference, see her nearly successful joint bid at capturing Kilgrave with Simpson in Trish back in “AKA The Sandwich Saved Me.” Jessica is smart enough to put together a … Continue reading
TV Review: Jessica Jones, 1.07, “AKA Top Shelf Perverts”
“Finding good reference points for Jessica Jones outside of the obvious is a bit tricky. Yes, the show has very clear noir roots (or neo-noir, for all the pedants out there); sure, Krysten Ritter’s role suggests shades of Veronica Mars. There are even a few brushstrokes of Demme and Fincher in here, too, exhibited in … Continue reading
TV Review: Jessica Jones, 1.02, “AKA Crush Syndrome”
“Here’s a conundrum for your average building-vaulting, wall-punching superhero: How do you stop a dude who can monopolize your will from turning you into his own personal arm candy, or enslaving entire families to act as his beaming servants? In “AKA Ladies Night,” Jessica Jones did the bare minimum necessary to establish our leading lady’s … Continue reading
TV Review: Jessica Jones, 1.01, “AKA Ladies Night”
“Marvel’s television brand has come a long way since the 2013 premiere of Agents of S.H.I.E.L.D.That show was the company’s coltish first step into the widening TV world—an awkward, gangly attempt at bringing their operatic, costumed rumpuses onto a smaller screen with a larger creative space. Over time, the series has shaped itself into a … Continue reading