Remember back in 2015, when I reviewed every single dang episode of the first season of Jessica Jones? A couple years later, here I am up at The ARTery, compromising by reviewing just the first five episodes of the series’ new season, which is available for streaming on Netflix now. Bad news: It’s not as good as the … Continue reading
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TV Review: Jessica Jones, 1.12 & 1.13, “AKA Take a Bloody Number”/”AKA Smile”
“Luke Cage might be super-strong, but the hardest blow he lands in Jessica Jones is his frank appraisal of Kilgrave’s odds of getting back together with Jessica, which tally to zero. ‘Tell me the truth,’ Kilgrave spits at Luke, ‘did you bugger my chances with her?’ ‘No,’ replies Luke. ‘You screwed that up yourself.’ (Via … Continue reading
TV Review: Jessica Jones, 1.11, “AKA I’ve Got the Blues”
“Jessica Jones has made a point of being judicious with flashbacks; they’re used sparingly when they’re used at all, and they never overstay their welcome. Take, for example, “AKA The Sandwich Saved Me,” which visits a Jessica and Trish in the B.K. (before Kilgrave) days of their friendship, when everything looked bright and optimistic (by … Continue reading
TV Review: Jessica Jones, 1.10, “AKA 1,000 Cuts”
“Is this whole virus/vaccine plot device played out? Does boiling down a character’s super powers to nothing more than an airborne infectious agent rob them both of their dramatic oomph? Back in the day, Blade (incidentally the Marvel film that laid out the groundwork for the rise of comic book films through the aughts and … Continue reading
TV Review: Jessica Jones, 1.08, “AKA WWJD?”
“Well, now, Kilgrave has set out quite the homecoming for Jessica, hasn’t he? That house he snagged at the end of “AKA You’re a Winner!”—he’s done it up just like she remembers it, every last detail painstakingly researched and set in place to make Jessica feel more comfortable. The security guard is a new addition, … Continue reading
TV Review: Jessica Jones, 1.07, “AKA Top Shelf Perverts”
“Finding good reference points for Jessica Jones outside of the obvious is a bit tricky. Yes, the show has very clear noir roots (or neo-noir, for all the pedants out there); sure, Krysten Ritter’s role suggests shades of Veronica Mars. There are even a few brushstrokes of Demme and Fincher in here, too, exhibited in … Continue reading
TV Review: Jessica Jones, 1.06, “AKA You’re a Winner!”
“We knew it had to happen. We knew, as soon as Jessica Jones illustrated Jessica’s role in the death of Luke’s wife, that her unwilling complicity in the tragedy would come to light sooner than later. That’s why, after all, she has been dutifully avoiding Luke for the last few episodes, and why she cut … Continue reading
TV Review: Jessica Jones, 1.05, “AKA The Sandwich Saved Me”
“Daredevil and Jessica Jones: One of these things is not like the other. You’d expect there to be a shared mentality between these two shows as far as action is concerned; they’re Marvel’s first two moves in the ever-expanding Netflix sandbox, and the building blocks of their “street-level” comic book brand, which will continue building … Continue reading
TV Review: Jessica Jones, 1.03, “AKA It’s Called Whiskey”
“Superheroes invite metaphors for discrimination by their very nature. People fear what they don’t understand; this is especially true when the “what” happens to be a giant green monster or a Norse god, but what Jessica Jones and Luke Cage lack in enormity or mythology they make up for with power. In “AKA Crush Syndrome,” … Continue reading
TV Review: Jessica Jones, 1.02, “AKA Crush Syndrome”
“Here’s a conundrum for your average building-vaulting, wall-punching superhero: How do you stop a dude who can monopolize your will from turning you into his own personal arm candy, or enslaving entire families to act as his beaming servants? In “AKA Ladies Night,” Jessica Jones did the bare minimum necessary to establish our leading lady’s … Continue reading
TV Review: Jessica Jones, 1.01, “AKA Ladies Night”
“Marvel’s television brand has come a long way since the 2013 premiere of Agents of S.H.I.E.L.D.That show was the company’s coltish first step into the widening TV world—an awkward, gangly attempt at bringing their operatic, costumed rumpuses onto a smaller screen with a larger creative space. Over time, the series has shaped itself into a … Continue reading