There are two primary reasons to see Josef von Sternberg’s <i>Anatahan</i>. The first is that it’s a rarity, the final film in Sternberg’s solo directing career before co-directing <i>Jet Pilot</i> in 1957 with Fred Fleck. <i>Anatahan</i> is a picture obscured by the passage of time and by its own financial failure, a box office stumble … Continue reading