Well, I reckon that since I talked to Armando Iannucci about his new film, it’s only proper that I review it, too. So I did. It’s not my first time at the Iannucci rodeo, after all, so if I’m going to go in on The Death of Stalin, I’m going to go all-in. (Or something.) I’ll say … Continue reading
Unsurprisingly, the second part of Harry Potter and the Deathly Hallows is one massive climax from start to finish. What else did anyone expect? Part one heroically bit the bullet and allowed itself to bear the weight of the novel’s filler, martyr-like, so that part two could act like an unrelenting, two-hour-and-change action scene in … Continue reading
The end has come, but not really so much at all, no. Seeing the first half of the two-part finale to the Harry Potter saga, I can fully appreciate the artistic need to break the book apart; even more, I can better admire J.K. Rowling’s gargantuan, overstuffed seventh novel and the scope of both the … Continue reading
“Democracy is messy.” After 2009’s critical darling (and one of my top ten of the year) The Hurt Locker made such a splash at the Oscars, Paul Greengrass sends us back to the Middle East with Green Zone, his adaptation of Rajiv Chandrasekaran’s non-fiction novel Imperial Life in the Emerald City. Traveling along with him, … Continue reading
A Constant Visual Feast 