So imagine this: There’s a house, and it’s littered with clocks, but there’s also a clock in its walls and it’s the clock in the walls that everyone’s fussing about. Doesn’t make a ton of real world sense, but it makes plenty of movie world sense, and presto, there you have it, Eli Roth’s The House … Continue reading
I’m happy enough to sneak a terrible-on-purpose play on Shakespeare into my review of Maya Forbes’ very good The Polka King that I don’t mind my reference to Phanuel being cut from the final copy. Take that bad with the good, or maybe in this case the bad with the very bad. Whatever. I don’t know. … Continue reading
Confession: I cried at the end of Kung Fu Panda 3. Do not take my response to the film’s emotional payload as a strict endorsement of the whole package; as third entries in movie franchises go, Kung Fu Panda 3 is a good bit of fun that falls victim to diminishing returns and an unpolished script. How many times must Po, … Continue reading
When Jason Segel capitalized on the critical and financial success of his breakout hit Forgetting Sarah Marshall three years ago by securing the green-light to write his own Muppets film, my world stopped turning for a day. Muppets? In the 2010s? And envisioned by a man who not only represents a perfect human foil to everyone’s … Continue reading
There’s no witty way to lead into the crux of this review: mad cinematic scientist Michel Gondry can do better than this. Be Kind, Rewind doesn’t wind up an unwatchable and offensive mess, and in fact there’s a great deal of enjoyable content contained within the film’s hour and forty running time, but maybe more … Continue reading
A Constant Visual Feast 