Who loves Nazis? Nobody. Except maybe other Nazis. That’s sort of the thrust of In the Fade, or part of its thrust: Polite society has no use for Nazis, but impolite people is okay with Nazis, and most of all, other Nazis are okay with other Nazis. Fatih Akin’s film is about a woman, played by … Continue reading
As usual, as I do each year (each year, at least, since first creating this blog), and as you expect me to do, I have compiled my top ten list for 2017. Also as usual, that list includes five honorable mentions. Not at all as usual, I’ve generously expanded this annual enterprise to include two of … Continue reading
A Constant Visual Feast 