For me, watching The Finest Hours reinforced the necessity for watching movies before interviewing the talent involved in their production. Grant that this is very much an irregular practice for me, and that nobody on a set visit has seen the movie beforehand for obvious reasons. All the same, it was only inevitable that my … Continue reading
“There’s an alternate timeline in which Creed is a superfluous waste of nostalgia. In that universe, Warner Bros. gave the reins to a filmmaker other than Ryan Coogler, the young Oakland-born director who stunned viewers in 2013 with Fruitvale Station, a bio-drama about the death of Oscar Grant. Maybe Coogler is the last person anyone … Continue reading
This all seems awfully familiar: it’s December, and a big-scale fantasy epic based on one of J.R.R. Tolkien’s essential landmark novels has been adapted to the screen by the man who directed Dead Alive. Forget that we’re trekking back to Middle Earth, the arrival of The Hobbit: An Unexpected Journey is itself a return to a status quo … Continue reading
A Constant Visual Feast 