Tagged with Franka Potente

TV Review: Taboo, Episode 1.08

TV Review: Taboo, Episode 1.08


I’m officially free of my Taboo-reviewing duties, at least until the next series (because there are two more, apparently, which is as much a surprise to me as it might be to you all) goes to air in 2018, presumably. If I’m being honest, I’m going to miss writing about this thing; I wouldn’t say I … Continue reading

TV Review: Taboo, Episode 1.07

TV Review: Taboo, Episode 1.07


I think I finally figured out how Taboo could have been a better show to start with, and it involves introducing Lucian Msamati’s Sons of Africa lawyer way, way earlier in the narrative than “Episode 5.” George Chichester has a clear cause that could have given the story backbone; by contrast, James Delaney’s cause is muddled, which … Continue reading

TV Review: Taboo, Episode 1.06

TV Review: Taboo, Episode 1.06


…man, I don’t even know with this Taboo show anymore, guys! I’m riding a fucking roller coaster here! The frosted side of me is in love with its unapologetic, bizarre narrative course as well as its aesthetic, which borrows as much from Game of Thrones and Deadwood as it does Willy Wonka and the Chocolate Factory and Alice in Wonderland. … Continue reading

TV Review: Taboo, Episode 1.05

TV Review: Taboo, Episode 1.05


This week on Taboo: Andy can’t take it anymore, so he dives deep on the show’s lack of focus on its non-Tom Hardy people, especially its non-Tom Hardy people who are ladies. Maybe it’s Oona Chaplin’s lot in life to be cast as women caught under the heels of patriarchal violence, domination, and abuse; I don’t … Continue reading

TV Review: Taboo, Episode 1.04

TV Review: Taboo, Episode 1.04


I’m a big fan of weirdness and debauchery in my visual media, and when you mash them together, all the better. So it’s fair to say that Taboo is slowly but surely becoming more and more my jam as it leans more into its weirdness and its flagrant aristocratic indulgences. To wit: This week’s episode, where … Continue reading

Review: The Conjuring 2, 2016, dir. James Wan

Review: The Conjuring 2, 2016, dir. James Wan


Everyone who hates The Conjuring should love The Conjuring 2; unlike the first film, the second doesn’t make a plot-based historical oopsie and suggest that maybe women killed during the Salem witch trials actually were witches. But if The Conjuring 2 is a victory for social criticism on paper, it’s a defeat for integrity in franchising in practice (such … Continue reading