Masks, Memories, Dreamscapes: Nolan’s Delusional Heroes (pt. 1)

Christopher Nolan is a man obsessed with heroes who choose fantasy over reality. This proclivity didn’t only begin when he took on the task of rehabilitating the ailing Batman franchise by wrapping it with thick layers of realism, though it’s easily the most obvious place to start in this particular analysis: Nolan’s characters, beginning with … Continue reading →