“You don’t need to watch John Boorman’s 1987 comedy drama Hope and Glory to vibe with its sequel, the decades-in-the-making Queen and Country. That’s probably the greatest feat Boorman pulls off with this follow-up to his unassuming Oscar nominee: walk into the film blind, and short of feeling like you’re up the Thames without a … Continue reading
Unsurprisingly, the second part of Harry Potter and the Deathly Hallows is one massive climax from start to finish. What else did anyone expect? Part one heroically bit the bullet and allowed itself to bear the weight of the novel’s filler, martyr-like, so that part two could act like an unrelenting, two-hour-and-change action scene in … Continue reading
The end has come, but not really so much at all, no. Seeing the first half of the two-part finale to the Harry Potter saga, I can fully appreciate the artistic need to break the book apart; even more, I can better admire J.K. Rowling’s gargantuan, overstuffed seventh novel and the scope of both the … Continue reading
A Constant Visual Feast 