What makes the efforts of one director superior to those of another? If one person wins Best Director, does it stand to reason that they should also win Best Picture? I had these two questions– and sub-questions pertaining to both, as well as variations on each of said questions– rolling around in my head after … Continue reading
I’m not one to make a habit of writing about awards shows. Yes, I’m happy to comment on pieces other people have written about the Golden Globes or the Oscars, but as a rule I avoid committing blog posts to such subjects. They don’t interest me; this is entirely because they’re not produced for me … Continue reading
Early America was a remarkable place, unique as the one nation where people from all around the world could come together and be called equal. The color of one’s skin, one’s native language, and one’s economic status didn’t matter. Once you arrived in America, it made no difference, because in America everyone was treated the … Continue reading
For me, 2010’s in the bag, but it’s not totally wrapped up until I take the time to ruminate over the upcoming slate of movies in 2011 that excite me, discourage me, intrigue me, or puzzle/offend me (and, of course, also post the rest of my top ten, which is, I promise, coming around the … Continue reading
Announcement to Jesse Eisenberg: From henceforth you are no longer allowed to work with writers whose names are not Aaron Sorkin. Sorkin, known throughout his career for engineering propulsive and mercurial dialogue, possesses a style almost tailor-made for Eisenberg’s precipitative speech patterns. Throughout The Social Network‘s two hour running time Eisenberg seems to be the … Continue reading
2010 dwindles down to its final hour with the passing of each day. It’s been a pretty mixed year, filled with movies worth watching but not necessarily worth getting excited about; only a handful here and there, for my taste, have really been exceptional and stood out amongst the crowd of good-but-unmemorable releases. But what … Continue reading
(Author’s note: Thanks to Mike for putting this exercise together! Head on over to his blog and check out the other entries in the series…they’re pretty inspired!) Fifteen years ago, stylish rogue director David Fincher took audiences by surprise with his grim, unsettling police thriller, Seven*, a Brad Pitt and Morgan Freeman vehicle about a … Continue reading
A Constant Visual Feast 