Tagged with darren aronofsky

‘mother!’ Marks New Turn In Year of Prestige Horror

‘mother!’ Marks New Turn In Year of Prestige Horror


It’s been seven years since I gave a damn about a Darren Aronofsky movie, but in that time he won everyone’s hearts with Black Swan and made a big ol’ oopsie with Noah, so I guess on the “give a damn” scale, he still scores better than neutral. So it was a pleasure to write about his … Continue reading

You’re Gonna Need Another Director, Bub

You’re Gonna Need Another Director, Bub


On 03/17/2011, news hit that Darren Aronofsky, genius director and the man responsible for Black Swan (which we kinda liked over here), had jumped ship as the director of the sequel to 2009 fiasco and failed X-Men spin-off, Wolverine. Citing travel woes and a reticence toward being yanked away from his family for filming, Aronofsky … Continue reading

Review: Black Swan, 2010, dir. Darren Aronofsky

Review: Black Swan, 2010, dir. Darren Aronofsky


Black Swan could almost be called The Wrestler 2 despite not featuring strapping, muscle-bound men in tights and torn jeans beating each other with their fists and the occasional piece of hardware in bouts with predetermined outcomes; Darren Aronofsky here uses the lens of ballet to continue examining the lengths performance artists will go to, … Continue reading

….And the Nominees Are…

….And the Nominees Are…


I’m not one to make a habit of writing about awards shows. Yes, I’m happy to comment on pieces other people have written about the Golden Globes or the Oscars, but as a rule I avoid committing blog posts to such subjects. They don’t interest me; this is entirely because they’re not produced for me … Continue reading

Andrew’s Top Ten of 2010 (pt.2)

Andrew’s Top Ten of 2010 (pt.2)


Early America was a remarkable place, unique as the one nation where people from all around the world could come together and be called equal. The color of one’s skin, one’s native language, and one’s economic status didn’t matter. Once you arrived in America, it made no difference, because in America everyone was treated the … Continue reading

Review: The Wrestler, 2008, dir. Darren Aronofsky


Forget, if you will, the Jesus metaphor brought to bear in so many discussions of The Wrestler that you’ve undoubtedly engaged in or observed across the web and in personal discussions of the picture’s finer merits (which are many). Yes, there’s some weight to the idea that Mickey Rourke’s over-the-hill wrestling champion of old, Randy … Continue reading