So imagine this: There’s a house, and it’s littered with clocks, but there’s also a clock in its walls and it’s the clock in the walls that everyone’s fussing about. Doesn’t make a ton of real world sense, but it makes plenty of movie world sense, and presto, there you have it, Eli Roth’s The House … Continue reading
I’m surprised that this is a hot-ish take (which I guess makes it a lukewarm-ish take, right?), but: Ocean’s 8 is a superior gender-flipped reboot to most other gender-flipped reboots released to date, chief among them being Ghostbusters ’16, a movie I do not have a positive relationship with. Look, the plain damn truth is that these … Continue reading
Fair warning: I really didn’t want to write this piece, and I’m doing it out of misguided obligation. Maybe I’m whining, but cut me some slack; I’ve already written about the #OscarsSoWhite fracas, and also contributed a handful of yadda yaddas to Paste Magazine’s annual Oscar preview (though I spend most of my yaddas turning my nose up at the … Continue reading
“The most inventive thing about Kenneth Branagh’s Cinderella may be that it’s not particularly inventive at all. That’s because it doesn’t have to be—it’s Cinderella. Branagh’s take on the ages old fairy tale is a handsomely made affair, but it’s the vein of self-assurance running beneath his aesthetics that makes his film feel vital. Rather … Continue reading
This all seems awfully familiar: it’s December, and a big-scale fantasy epic based on one of J.R.R. Tolkien’s essential landmark novels has been adapted to the screen by the man who directed Dead Alive. Forget that we’re trekking back to Middle Earth, the arrival of The Hobbit: An Unexpected Journey is itself a return to a status quo … Continue reading
Hanna makes a sound argument that action movies need not be artless, though maybe when the person at the helm is Joe Wright the final outcome can only inevitably attain a level of artfulness worth observing. Wright is responsible for 2007’s Atonement, a strikingly beautiful film that remains mostly empty despite its impressive craftsmanship; where … Continue reading
For me, 2010’s in the bag, but it’s not totally wrapped up until I take the time to ruminate over the upcoming slate of movies in 2011 that excite me, discourage me, intrigue me, or puzzle/offend me (and, of course, also post the rest of my top ten, which is, I promise, coming around the … Continue reading
A Constant Visual Feast 