Minor note about The Old Man & the Gun: As of now, David Lowery is 2 for 4 with me, having won me over with Pete’s Dragon and lost me on both Ain’t Them Bodies Saints and A Ghost Story*. The Old Man & the Gun reads like a snow globe, a capsule containing every sort of movie Lowery grew … Continue reading
I can’t stop writing about year-end stuff! And there’s more year-end stuff to come! Unsatisfied with writing about the performances I wrote about for that other “best performances” feature, I decided to write about five more performances for Paste Magazine’s own “best performances” feature. I I think I totally crushed it. You tell me.
You’re aware, I imagine, that I am a member of BOFCA, the Boston Online Film Critics Association, and if you are aware of that, then you are also likely aware that every year, we vote, as critics groups do, to determine with authority which movies of the last 365 days were, in a word, “best.” … Continue reading
For me, watching The Finest Hours reinforced the necessity for watching movies before interviewing the talent involved in their production. Grant that this is very much an irregular practice for me, and that nobody on a set visit has seen the movie beforehand for obvious reasons. All the same, it was only inevitable that my … Continue reading
“When people think of Massachusetts’ burgeoning movie industry, they probably think first of gritty, unforgiving gangster films, of severe accents, of reluctant geniuses, of Ben Affleck. But the Bay State has offered more to cinema than just chronicles of working class stiffs, real crime allegory, or some combination of Matt and Ben: this is the … Continue reading
A Constant Visual Feast 