I liked Nightcrawler so much that I’m bummed I couldn’t like Roman J. Israel, Esq. more; I like Dan Gilroy, I like Denzel Washington, I like Carmen Ejogo, and I like Colin Farrell. (In case you don’t already know, I also like social activism and social justice.) This movie should have been a slam dunk for me. … Continue reading
If you’re not already watching Starz’ The Girlfriend Experience, might I suggest you start now; now in its second season, the show has completely changed face by moving on from its season one arc, involving the great Riley Keough, to a dual-narrative that respectively involve Anna Friel and Louisa Krause, and Carmen Ejogo. It’s still a … Continue reading
(Author’s note: I’m trying this new thing where I will attempt to review movies here if I’m on assignment writing about ’em in other capacities elsewhere. So when I interview talent, write editorials, or compose lists, I’ll circle back around to this space for capsule reviews as buttressing corroborative details.) THE MUMMY, 2017, dir. Alex … Continue reading
Another year, another interview with Trey Edward Shults, one of my favorite up and coming filmmakers. (I should maybe start a list of my favorite up and comers, just for my own edification, but also because I really love web traffic.) In March of 2016, we talked about Krisha, his debut film, which turned out to … Continue reading
First thing’s first: Here’s the link to my review of Alien: Covenant at Paste Magazine. Second thing’s, uh, second: Spoilers. I have to get some shit off my chest after the baffling defenses mounted in the film’s favor by some of the most respected names in contemporary film criticism, mostly because their defenses hinge on the … Continue reading
I didn’t like The Legend of Tarzan, the first of two movies on David Yates’ slate in 2016. I also didn’t like Fantastic Beasts and Where to Find Them, his second movie, but I liked it much more even if its failures left me feeling aggrieved more than Tarzan‘s did; it’s perhaps the 2016 franchise film that is … Continue reading
“If Selma can be described in one word, it’s “fiery.” Biopics are typically such rote, thankless exercises in filmmaking that the idea anybody could make one colored with brushstrokes this passionate feels contrary. But there’s no better way to characterize what Ava DuVernay has accomplished in her dramatic chronicle of the 1965 voting rights marches … Continue reading
“I saw Ava DuVernay’s Selma at a “for your consideration” screening the same night a grand jury in St. Louis County declined to indict Darren Wilson in the fatal shooting of Michael Brown.” (Via Badass Digest.)
A Constant Visual Feast 