Tramps, to me, represents the double-edged sword of Netflix; with it, filmmakers like Adam Leon get to work, but they also don’t get to show their movies in actual theaters. I don’t know how I feel about that. (Wait: Yes I do! Bad. I feel bad about that.) If that’s the trade-off for Leon making … Continue reading
“You don’t need to watch John Boorman’s 1987 comedy drama Hope and Glory to vibe with its sequel, the decades-in-the-making Queen and Country. That’s probably the greatest feat Boorman pulls off with this follow-up to his unassuming Oscar nominee: walk into the film blind, and short of feeling like you’re up the Thames without a … Continue reading
“Agent Carter has been building to “A Sin to Err” all season long; it’s the moment where the walls have Peggy corralled. She’s pretty much on her own and without a single person, other than Jarvis, to call “friend,” though that more or less sums up her dynamic over the course of the show. But … Continue reading
A Constant Visual Feast 