Review: Funan, 2019, dir. Denis Do

A stunning, low key bit of animation from a descendant of unspeakable atrocity. Amazingly, he’s up to speaking about it. Continue reading →

Review: Godard Mon Amour, 2018, dir. Michel Hazanavicius

Honestly? I can’t imagine a more useless exercise than making an airy biopic, one-part screwball comedy and one-part “great man” drama, about Jean-Luc Fucking Godard, if not because I find him repellent (even though I dig his films), then because Godard would probably definitely find the idea utterly useless. (Note: He called the movie a “stupid, … Continue reading →

Review: The Artist, 2011, dir. Michel Hazanavicius

Observing a highly-lauded film often proves to be a challenging experience. Most film writers are well aware of the weight of expectations when it comes to honestly confronting their feelings on a movie that’s been fed to them through the Internet hype-machine and reassembled as something perhaps greater than it is in actuality. There are, … Continue reading →

Golden Statues and Outrage: The Oscar Nominations

This week, the Academy of Motion Picture Arts and Sciences unveiled the entries for each of their twenty four categories in anticipation of this year’s 84th Academy Awards show. As is always the case, response among critics and film writers has been mixed, characterized by raised eyebrows, occasional high praise and pleasant surprise, and most … Continue reading →