“George Clooney’s Sentimentality Can’t Prop Up ‘The Tender Bar'”

The tender blah. Continue reading →

Review: The Accountant, 2016, dir. Gavin O’Connor

The Accountant is Pixar’s latest family heart-warmer, a comedy about an ant who keeps the books for his colony and – wait, no. Sorry. That’s wrong. The Accountant is a movie where Ben Affleck plays an accountant who is on the autism spectrum, whose clients are mostly murderers and scumbags, and who shoots people in the fucking … Continue reading →

Review: Batman v Superman: Dawn of Justice, 2016, dir. Zack Snyder

…well, it’s here. I am referring both to Batman v Superman: Dawn of Justice and my review of Batman v Superman: Dawn of Justice, which just went up at Paste moments ago. Put in short: I kind of hated it in a very ambivalent way. It’s a terrible movie, and watching it exhausted and agitated me to no … Continue reading →

The United States of Film: Massachusetts

“When people think of Massachusetts’ burgeoning movie industry, they probably think first of gritty, unforgiving gangster films, of severe accents, of reluctant geniuses, of Ben Affleck. But the Bay State has offered more to cinema than just chronicles of working class stiffs, real crime allegory, or some combination of Matt and Ben: this is the … Continue reading →

Go, See, Talk! Review: Argo, 2012, dir. Ben Affleck

Ben Affleck’s third feature film tells a story so utterly bonkers that it could only come out of a Hollywood studio. Except that the CIA devised the entire plot and actually put it into action over three decades ago. What’s even weirder– it worked. Continue reading →

15 Films ACVF Is Excited About In 2012

In my book, 2011 has been a great year for movies. Good stuff has abounded throughout this particular revolution of the planet, both on the side of light lifting– Limitless, Paul, Cedar Rapids, Captain America— and in the realms of more substantial material, such as Drive, Weekend, The Tree of Life, and Win Win. Even … Continue reading →

Review: The Town, 2010, dir. Ben Affleck

The Town serves as a direct competition between Ben Affleck, actor, and Ben Affleck, director, in a bid to determine which of the two stands out as the dominant personality. Anyone who saw 2007’s Gone Baby Gone already can guess that the latter incarnation of the Cambridge-born Affleck emerges victorious, and if anything, The Town … Continue reading →