A review for Midnight in Paris requires no preamble simply because it’s the best movie Woody Allen has made in years, which alone should be sufficient reason to watch it in light of the director’s limp and joyless recent output. But a review that begins with the suggestion that Midnight in Paris far exceeds the … Continue reading
Bizarre genius. Those two words may best describe Vincenzo Natali’s decade-in-the-making Frankenstein update, Splice, an imperfect movie executed with the exact amount of gusto needed to transcend its own inadequacies. Make no mistake, Splice is flawed, but those aspects that underwhelm never impede the film from being thoughtful and satisfying in all of its weird, … Continue reading
Rian Johnson‘s follow-up to 2005’s paean to noir, Brick, wants you to put your trust in its narrative. And in point of fact, The Brothers Bloom goes to great lengths to ensure it gains your confidence. Maybe in some cases, Johnson’s sophomore film tries too hard but the effort is undeniably genuine and as enthusiastic … Continue reading
A Constant Visual Feast 