Remember back in 2015, when I reviewed every single dang episode of the first season of Jessica Jones? A couple years later, here I am up at The ARTery, compromising by reviewing just the first five episodes of the series’ new season, which is available for streaming on Netflix now. Bad news: It’s not as good as the … Continue reading
Atlanta is back on FX. I probably don’t need to say anything more than that. I shouldn’t, really. But hey, it’s back, and it’s still great, and it’s still painfully relevant, and I know that it’s probably weird for a white guy to talk about how rarely we talk about mental health in relation to black … Continue reading
It’s been a week since my last blog post, and I bet you’re all jonesing for another update. Good news! I have one. Bad news! I sort of wiggled my way out of dealing with a contentious subject in my review of Altered Carbon. Good news! I’m thinking up a long form piece about the subject … Continue reading
As with Juan Carlos Medina’s The Limehouse Golem, my fondness for TNT’s The Alienist is derived in part because I’m just into this kind of story: Gothic or Gothic-adjacent procedurals, where the protagonist(s) stare head-on into a darkness they’re ill-equipped to fathom due to the constraints of their era they live in. Not that anyone living in 2018 … Continue reading
It’s typical that Ryan Murphy things tend to rub me the wrong way, which is why of late I’ve made a point of avoiding Ryan Murphy things. The last Ryan Murphy thing I watched was Feud. I loathed Feud. So I ignored every other Ryan Murphy thing released last year, being American Horror Story‘s eightieth season, which continued my … Continue reading
A Constant Visual Feast 