If there’s one cinematic companion to Scott Pilgrim vs. The World that leaps immediately to my mind, it’s not the obvious sugar-rush action movies that director and English national treasure Edgar Wright tends to favor but rather the very genuine and down-to-earth 2007 romantic comedy Knocked Up. Cut out the super-powered bass battles, sword fights, … Continue reading
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Sundance ’23 Review Round-Up
Third annual edition of “Andy watches Sundance movies at home,” engage. Continue reading
“‘Station Eleven’ TV Review: HBO Max’s Post-Apocalyptic Drama Is Essential Discomfort Viewing”
But first, you have to watch stations 1 – 10 to understand it. Continue reading
Review: The World’s End, 2013, dir. Edgar Wright
Picture The World’s End as a bittersweet layer cake, a film about the double-edged sword of growing up that also serves as the capstone offering in Edgar Wright’s Three Flavours Cornetto trilogy. Have nine years really passed since Wright, along with his go-to leading men, Simon Pegg and Nick Frost, vaulted into national prominence with … Continue reading
2011 Rising: My Films to Watch (pt.2)
Part 2 of my 2011 preview commences…now! (Part 1 can be perused here, at your leisure.) X-Men: First Class— By happy coincidence, the first trailer for Matthew Vaughn’s period prequel to the X-Men franchise hit just last week, and guess what? It looks really good. Focusing specifically on the relationship between Erik Lehnsherr, the man … Continue reading
Andrew’s Top 10 of 2010 (pt.1)
It’s that time of year (hey, at least it’s closer to that time of year than I was last January)– time for me to pontificate about which films released in 2010 tickled my fancy enough to be worthy of placement on my top ten list. I had a rough time with this year, personally; I’m … Continue reading
Critical Risks
“In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in … Continue reading