Michael B. Jordan, right? What an actor. What a fire starter, too. The guy loves burning shit. It’s almost his bread and butter, at least in 2018, where his two biggest roles play literally and metaphorically with fire (and sometimes both). See: Black Panther and Fahrenheit 451. (Actually see Black Panther, too. Don’t just consider it as evidence. … Continue reading
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Stay Frosty Oscars: My Half-Assed Academy Awards Predictions
Fair warning: I really didn’t want to write this piece, and I’m doing it out of misguided obligation. Maybe I’m whining, but cut me some slack; I’ve already written about the #OscarsSoWhite fracas, and also contributed a handful of yadda yaddas to Paste Magazine’s annual Oscar preview (though I spend most of my yaddas turning my nose up at the … Continue reading
Whites, Camera, Action
It is pretty to think that all of this year’s Oscars outrage might have been avoided with just a few shifts in nominations. In truth, recognition for some combination of Samuel L. Jackson, Will Smith, Teyonah Parris, Ryan Coogler, Michael B. Jordan, Jason Mitchell, Corey Hawkins, Jada Pinkett Smith, Abraham Attah, Idris Elba, Mya Taylor, Aaron Covington, … Continue reading
Globe Trotting: On The 73rd Golden Globes Ballyhoo
I woke up this morning and it struck me that last night was the air date for this year’s Golden Globes ceremony. Following being struck that first time, I was struck again by the realization that I have said nothing about them at any point; I have offered no commentary, presented no predictions, and yielded no … Continue reading
Review: Fant4stic, 2015, dir. Josh Trank
“If at first you don’t succeed, try and try again.” When W.E. Hickson popularized this crusty old Thomas Palmer aphorism back in the 1800’s, he couldn’t have known that one day, one of America’s most high profile movie studios would take the phrase to heart with not one, not two, but three attempts at building a franchise … Continue reading
Review: Chronicle, 2012, dir. Josh Trank
Chronicle director Josh Trank deserves unquestioned accolades if only for how deftly he weaves together two tired ideas– found footage narratives and superhero origin stories– and ends up with something fresh and engaging. Frankly, he cheats at both (though more at the former than the latter), but when your primary cast members can levitate the camera … Continue reading