I remember hearing the news that Jordan Peele, he of Key and Peele fame, had designs on directing and writing his own horror movie some years ago, around late 2014 if memory serves, in between the murder of Michael Brown and the acquittal of his killer, Darren Wilson, which in my mind is the moment in contemporary American … Continue reading
Hoooooo boy I did not like this bullshit at all. Continue reading
In which I Peele back the layers on the Twilight Zone”s modern day revival, now in its second season. Continue reading
Out with the old, in with the new, but first you’d better watch these ten movies and maybe scare the daylights out of yourself. Continue reading
This is “Us,” or: This is my piece on “Us.” This my piece on what happens when “Us” is given a second viewing and how the insanity and meaning packed into its ending fundamentally changes the experience of the film. Continue reading
As usual, as I do each year (each year, at least, since first creating this blog), and as you expect me to do, I have compiled my top ten list for 2017. Also as usual, that list includes five honorable mentions. Not at all as usual, I’ve generously expanded this annual enterprise to include two of … Continue reading
2017 is the year we all got out, so I’m not surprised, or disappointed, to see Jordan Peele’s astonishing horror film Get Out win top marks among my peers in the Boston Online Film Critics Association (BOFCA). Our annual awards rumpus usually spreads the love out among a number of contenders, rather than dumping it all on … Continue reading
First: I got to interview Ana Lily Amirpour, director of 2014’s A Girl Walks Home Alone at Night and last Friday’s The Bad Batch, and if I had to describe the experience in a word, that word would be “awesome.” If I had to describe it in more words than that, I’d peg it as one of … Continue reading
(What do any of these movies have in common with each other? Little and less, but maybe you can draw some links from one to the other to the third, especially between the first and the last in the round-up. Or maybe not. There’s not much that gooey indie dramedies, harsh crime stories, and acid-trip … Continue reading
It is pretty to think that all of this year’s Oscars outrage might have been avoided with just a few shifts in nominations. In truth, recognition for some combination of Samuel L. Jackson, Will Smith, Teyonah Parris, Ryan Coogler, Michael B. Jordan, Jason Mitchell, Corey Hawkins, Jada Pinkett Smith, Abraham Attah, Idris Elba, Mya Taylor, Aaron Covington, … Continue reading
The best movies, the best albums, the best horror, and the best catty side-swipes at whatever’s annoying me at the time of this writing. Happy New Year! Continue reading
It’s rare that a single movie becomes the prism through which I view every other piece of popular culture I engage with in a given year; this is partly because movies capable of being that prism come along but rarely, and partly because when they do, they don’t typically appear in theaters during February, previously … Continue reading
Picking 100 movies to represent the all-timers of their category is a thankless and impossible task; even if you hit all the major titles needed to give the list gravitas, you’re going to end up leaving out titles that one person might think are essential, or another person will take exception to the ordering, or … Continue reading
A Constant Visual Feast 