“Noah Baumbach’s While We’re Young kicks off with dialogue from The Master Builder, one of the most significant works of Norwegian playwright Henrik Ibsen. The text details an exchange between Halvard Solness, the architect of the play’s title, and Hilda, a young woman from Solness’s past who has arrived to assert herself in his present. … Continue reading
Matches for: “ari aster” …
Review: The Best Exotic Marigold Hotel, 2012, dir. John Madden
There’s very little to say about The Best Exotic Marigold Hotel because, frustratingly, it has nothing of real value to say itself. Maybe there’s some worth to inoffensive, light, fluffy films in that they provide reasonable entertainment for a couple of hours– and god knows I like my fair share of films that fit that description– … Continue reading
Joss Whedon Is My Master Now
Alternate title: How The Avengers turned me around on one of the most beloved proprietors of genre franchisement of the modern age. Continue reading
Go, See, Talk! Review: Chernobyl Diaries, 2012, dir. Brad Parker
A daring foray into an ongoing real-world disaster, accented by some great, spooky, atmospheric imagery, doesn’t do anything more with its concepts than serve up sub-standard horror driven by amazingly bad decision-making skills. Continue reading
Review: Inglourious Basterds, 2009, dir. Quentin Tarantino
When have you ever watched a movie by Quentin Tarantino and felt like he showed restraint? My relationship with everyone’s favorite cinematic culture junkie could be described as tenuous at best; Tarantino never shies away from letting his influences show in his pictures, and often his film fetishism feels tiresome and even disruptive to his … Continue reading
“Hellbender And The Generation Gap”
AKA, “Okay, Boomer: The Movie.” Continue reading
“‘The Twilight Zone’ Season 2 Is Well-Crafted Gloom Burdened By An Overabundance Of Ideas “
In which I Peele back the layers on the Twilight Zone”s modern day revival, now in its second season. Continue reading
“Florence Pugh’s Year of Performing Perfectly”
Three movies, three Florence Pugh roles, three stellar Pugh-formances, one piece to recap all of them for you and also find the ways that they intersect. Continue reading
Andy’s Best Things, 2019 Edition
The best movies, the best albums, the best horror, and the best catty side-swipes at whatever’s annoying me at the time of this writing. Happy New Year! Continue reading
“The Best Horror Movies of 2019”
Out with the old, in with the new, but first you’d better watch these ten movies and maybe scare the daylights out of yourself. Continue reading
“The Best Horror Movies of the 2010s”
The decade ain’t over ’til the ball drops, but eh, close enough in Internet years; let’s all get the pants scared off our persons. Continue reading
“The 10 Best Horror Movies of 2019 (So Far)”
And it took a good bit of legwork to actually get to ten, let me tell you! Continue reading
“How ‘The Witch’ Accidentally Launched a Horror Movement”
Andy absolutely will not shut up about how bad “Hereditary” is until you agree that “Hereditary” is bad. Continue reading
Review: Clara’s Ghost, 2018, dir. Bridey Elliott
I suspect, by now, that a number of those of you reading my work and my Twitter feed are just about sick of hearing me complain about Ari Aster’s Hereditary. Well…I’m going to complain about it a couple times more, though in this instance, we’re talking less about a complaint than a comparison. If you’re going to make … Continue reading
“How ‘Hereditary’ Skips the Horror Until Its Final Minutes”
Look: I fucking despised Ari Aster’s Hereditary. I don’t care whose movie it’s supposed to be, or whose perspective we’re supposed to take*, or how the movie sets up its climactic reveals. It’s never what a movie is about that’s a problem. It’s how it’s about it. Hereditary, one of the most misleadingly named movies … Continue reading
“‘The Hand of God,’ The Eyes of a Boy”
It’s a hand, but made into a fist, but with a single digit raised, and guess which one? Continue reading
“How Vitamin Sea Brewing Became the Best Brewery of 2019”
When the best brewery of 2019 is a faster-than-quick drive from where you live, you of course go to interview the owner. Assuming that’s your job. Continue reading
Best of Criterion’s New Releases, May 2019
Two French masters, a Montanan master, and an Austrian master all walk into the Criterion Collection and that’s it, that’s the joke. Continue reading
Review: Andrei Rublev, 1966, dir. Andrei Tarkovsky
Hello! I’m back from vacation. Vacation is why I’m behind on sharing and posting my work. Don’t look at me like that. I’m entitled to go on vacation. Deal with it. Anyways: Here’s Andrei Rublev. There’s a new restoration of Andrei Rublev running in New York City, at the Film Society of Lincoln Center, courtesy of Janus Films. … Continue reading
“Only Spike Lee could have made ‘BlacKkKlansman'”
I don’t think it’s over the line to cite BlacKkKlansman as one of Spike Lee’s best films, and I’m the guy who usually seethes at claims of “masterpiece” directed at movies that haven’t been out in theaters for even a day. Is BlacKkKlansman that? Is it a masterpiece? I’m not sure. Time will tell. But it does stand out … Continue reading