Queue Thin Lizzy references from a hundred hack TV critics with clever to say.
In which Andy feels terribly underqualified to talk about the movie he’s talking about, but he talks about it anyway.
A slasher, but a slasher about *America*.
Just in case you were feeling comfortable with the state of the USPS again, you shouldn’t.
Y’know, a zombie invasion at this point in the year would just be par for the course, and also maybe preferable to reality.
It’s more of a bite than a kiss, but when the end result is you become a bloodsucking fiend, who’s keeping count?
Another piece Present Andy wrote for Past Andy.
Insert “in Soviet Russia” joke here.
I was surprised to learn how many movies exist with a variation on this title. It’s…more than one.
My relationship with the work of Agnès Varda began in 2017. Strictly speaking it began in college, when I first saw Vagabond, but when Faces Places opened in 2017, I firmly and immediately put the film on my best-of list for the year and began exploring her films beyond these two, culminating in some words on One Sings, …
Look, don’t get all mad at me, it’s literally true.
This might’ve been a movie about a sandwich, but it’s about a man. But that man also eats that sandwich, too, so win-win.
In my second Hidden Gems piece, I talk about…another Faye Dunaway movie. Not complaining, just stating the facts.
I was surprised to learn that this is in fact not a movie based on the Everclear song of the same name, but instead another entry in Gemma Arterton’s period movie resume.