Who loves Nazis? Nobody. Except maybe other Nazis. That’s sort of the thrust of In the Fade, or part of its thrust: Polite society has no use for Nazis, but impolite people is okay with Nazis, and most of all, other Nazis are okay with other Nazis. Fatih Akin’s film is about a woman, played by … Continue reading
Here: Have some context. I saw The Strange Ones back in the summer of ’17 when a team of publicists were nice enough to send me a screener for the purposes of adding to my #52FilmsByWomen list. I waited for the film to become commercially available, and I waited some more, and then I stopped waiting … Continue reading
A Constant Visual Feast 