Posted in July 2017

Spider-Man: Homeroom

Spider-Man: Homeroom


It’s bad enough we have to learn about superheroes in movie theaters all across the world these days, but now our children have to learn about superheroes in the classroom. Someone, please: Think of the children. There’s a lot that happens in <i>Spider-Man: Homecoming</i>, most of it designed to bolster the bonds holding the Marvel … Continue reading

TV Review: Room 104

TV Review: Room 104


Well, would you look at that! I got an article up at The ARTery, the arts and culture hub for our local NPR station here in Boston, good ol’ WBUR: It’s a review of Room 104, a new anthology series running on HBO, which just began airing on 07/28. In my estimation, based solely on what … Continue reading

Review: Killing Ground, 2017, dir. Damien Power

Review: Killing Ground, 2017, dir. Damien Power


In stark contrast to Kuso, that really gross movie I reviewed the other day, here’s my review of Damien Power’s Killing Ground over at Paste Magazine, which is arguably harsher while being much less offensive to watch. This is something I struggle with frequently as a critic and as an all-around cinephile: What is, and isn’t, offensive, and … Continue reading

The 20 Best “Mad Men” Episodes

The 20 Best “Mad Men” Episodes


I don’t need to explain this one, do I? Mad Men turned 10 years old yesterday. The TV writing staff at Paste Magazine wrote about its best episodes; I specifically wrote about Pete Campbell getting knocked the fuck out by Lane Pryce, and also about the time Sterling Cooper became Sterling Cooper Draper Pryce. Nothing complicated, … Continue reading

Review: Kuso, 2017, dir. Flying Lotus

Review: Kuso, 2017, dir. Flying Lotus


I have no further words for Kuso, the first feature from Flying Lotus, aka Steve Ellison, because I expended them all while writing my review of the film for The Playlist. Suffice to say: It’s something else. As you’ll no doubt gather from the piece’s opening paragraph, I have a high threshold for fucked up movies, … Continue reading

Review: Endless Poetry, 2017, dir. Alejandro Jodorowsky

Review: Endless Poetry, 2017, dir. Alejandro Jodorowsky


If you’ve not seen a single Alejandro Jodorowsky film, from El Topo to The Holy Mountain, Santa Sangre to Tusk, or his last movie, 2013’s The Dance of Reality, then don’t worry: His latest, Endless Poetry, is totally accessible and understandable, no matter that you have no idea who Jodorowsky is, do you? Do you?! You disgust me. …so yeah, please read my review of Endless Poetry! … Continue reading

Review: False Confessions, 2017, dir. Luc Bondy

Review: False Confessions, 2017, dir. Luc Bondy


“What a fun lark,” said my frosted side after watching Luc Bondy’s False Confessions. “Is this sort of story still worth recycling in 2017?” said my whole wheat side while stroking his beard. Maybe I’m being a spoilsport here, but sitting through False Confessions, I couldn’t help but wonder at its basic conceit and whether it’s really … Continue reading

Go to Trillium’s New Beer Garden…Now

Go to Trillium’s New Beer Garden…Now


Another day, another article about beer, my third love after television and the movies. This ain’t much (though it took a lot of trying to put it together, plus the kind intervention of some of Trillium’s wonderful employees), but every single word of that “ain’t much” is meant with my whole being. If you’re in … Continue reading

Bingeworthy Breakdown: Gypsy

Bingeworthy Breakdown: Gypsy


I know it is unfashionable for men to talk about sex and arousal in context with pop culture, but I’m a big dummy who doesn’t know what’s good for him, so I went ahead and did exactly that for The Playlist’s Bingeworthy Breakdown feature, in which I say a bunch of smart stuff, and smartass … Continue reading

Best of Criterion’s New Releases, June 2017

Best of Criterion’s New Releases, June 2017


I’m not saying that Baby Driver and They Live by Night are all that closely related; I’m just saying that I saw both in close proximity to one another, and I couldn’t help thinking of their surface similarities, even though they’re ultimately from different families. Regardless, They Live by Night is a highlight from The Criterion Collection’s June … Continue reading

Review: Tramps, 2017, dir. Adam Leon

Review: Tramps, 2017, dir. Adam Leon


Tramps, to me, represents the double-edged sword of Netflix; with it, filmmakers like Adam Leon get to work, but they also don’t get to show their movies in actual theaters. I don’t know how I feel about that. (Wait: Yes I do! Bad. I feel bad about that.) If that’s the trade-off for Leon making … Continue reading