Review: The Bye Bye Man, 2017, dir. Stacy Title

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Following Underworld: Blood Wars, the first stop on my January Tour of Terribleness, is The Bye Bye Man, a movie that is far worse but which I liked far more. You could say that this thing is so bad that it’s good, but if you did you’d be wrong. It’s so bad that its badness becomes spectacle and entertainment. I kinda love it for that, but make no mistake: My love for The Bye Bye Man is tied strongly to my love of digging into how movies of its level of badness come into being, a task I tried to carry out in my exhaustive review for Paste Magazine.

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