Maybe the fact that this here image of Full Court: The Spencer Haywood Story‘s poster is the best I could find tells you all you need to know about the film’s level of perceived respectability. This is a small doc with a narrow angle, and which very clearly loves its subject – enough, at least, to … Continue reading
You know what? Whatever. I liked Central Intelligence. I came down hard on it because it could stand improvement on a molecular level, and a few tweaks might have elevated it to greatness; it’s a movie with an identity crisis, wherein it cannot decide if it is a serious action comedy (and therefore understands how spy … Continue reading
A Constant Visual Feast 