“Talking about “The Cruise” without talking about Brooklyn Nine-Nine’s fondness for referential and self-contained franchisement is impossible. First, we had “Halloween III,” where Santiago brought the series-long All Hallow’s Eve prank war fought by Holt and Jake to a decisive end; then we had “Yippie Kayak,” where Boyle became subsumed into Jake’s Die Hard … Continue reading
A Constant Visual Feast 