“Nun sacciu, non vidi, nun ceru, e si ceru, durmivu”, the old Sicilian adage tells us; “I know nothing, I didn’t see anything, I wasn’t there, and if I was there, I was sleeping.” Had the sage responsible for concocting this well-worn proverb been fonder of brevity, it might make a good tagline for Italian actor … Continue reading
Posted on March 15, 2015 …
Review: Chappie, 2015, dir. Neill Blomkamp
“Your enjoyment of Chappie will depend entirely on how high a premium you place on originality. The film’s influences announce themselves loudly and proudly; if you’ve seen Short Circuit, Short Circuit 2, and RoboCop, you have seen Chappie, or at least you’ve seen its skeleton dangled from a hang-up stand á la Budget Bart. But … Continue reading
Review: Unfinished Business, 2015, dir. Ken Scott
“There are details about Ken Scott’sUnfinished Business worth respecting, or at least admiring. Scott has made a movie rooted in an indistinct business environment in which a woman holds a position of top authority; she’s allowed to be bluntly, even crudely alpha without being caricaturized or defamed for it, at least until an unfortunate display … Continue reading
TV Review: Brooklyn Nine-Nine, 2.18, “Captain Peralta”
“How good is Brooklyn Nine-Nine when it comes to nailing guest casting? Sure, fine, Nick Cannon hasn’t really made much of a splash in the daily adventures of the Nine-Nine squad, but that might be a case of the writers not quite knowing how to use him, or a sign that his big moment is … Continue reading
Review: Kidnapping Mr. Heineken, 2015, dir. Daniel Alfredson
“In 1983, a quintet of would-be criminal masterminds snatched Dutch businessman and Heineken International CEO Freddy Heineken under the cover of dusk and held him for ransom over the span of three weeks. Four years later, investigative journalist and crime reporter Peter R. de Vries went and penned a book about the whole dang affair, … Continue reading
Review: Ballet 422, 2015, dir. Jody Lee Lipes
“In Ballet 422, director Jody Lee Lipes does something remarkable: He cuts himself out of the equation entirely. He’s barely a fly on the wall in his own documentary, which chronicles New York City Ballet soloist and choreographer Justin Peck’s attempt to architect the company’s 422nd production. Lipes’ approach to capturing his subjects is about … Continue reading