“Well, here’s a thoroughly unexpected concept for a movie: a romantic comedy cast in the shadow of America’s involvement in Iraq and Afghanistan. On paper, Sean Mullin’s Amira & Sam sounds like a dicey prospect, but in practice, the marriage between its lighthearted mode and the United States’ contentious overseas campaigns works beautifully. Mullin’s film … Continue reading
Posted on February 6, 2015 …
The United States of Film: Massachusetts
“When people think of Massachusetts’ burgeoning movie industry, they probably think first of gritty, unforgiving gangster films, of severe accents, of reluctant geniuses, of Ben Affleck. But the Bay State has offered more to cinema than just chronicles of working class stiffs, real crime allegory, or some combination of Matt and Ben: this is the … Continue reading
Race Relations In Film
“Why can’t we all just get along? It should be easier than easy to vibe with people from other backgrounds than our own; there should be no obstacles or roadblocks segregating us or just plain old keeping us divided. But it’s 2015, and racial harmony is still a distant dream the whole world over. Whether … Continue reading
TV Review: Agent Carter, 1.05, “The Iron Ceiling”
“It has taken five episodes for Agent Carter to strip Hayley Atwell down to her undergarments. In another network’s hands, a moment like this might have felt exploitative; beyond cheap thrills, there might have been no good reason for the peepshow. But in ABC’s hands, the scene, which occurs roughly a third of the way … Continue reading
Chekhov’s Guns In Film
“Anton Chekhov was a real triple threat: while we all know him best for his accomplishments as a dramaturge and an author, he also practiced medicine while making his numerous artistic achievements on the side. “Medicine is my lawful wife, and literature is my mistress,” he once wrote. That’s about as close to baller as … Continue reading