“Classifying Jennifer Kent’s feature debut, The Babadook, is tricky. Ostensibly this is a horror film—freaky stuff happens on an escalating scale, so qualifying Kent’s tale of a single mother’s fractious relationship with her young son with genre tags seems like a perfectly logical move. But The Babadook is so layered, so complex and just so goddamned dramatic that categorizing it outright feels reductive to the point of insult. There’s a grand divide between what Kent has done here and what most of us consider horror. You’ll spend your first week after the experience sleeping with the lights on. You will also come away enriched and provoked.” (Via Paste Magazine.)
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