Review: The Illusionist, 2010, dir. Sylvain Chomet

For all of its moving excellence, The Illusionist may be almost as enrapturing for the turmoil surrounding its creation as it is for its artistry. Two arguments, one originating from writer Jacques Tatischeff (from here on out referred to affectionately as “Tati”) family and the other from director Sylvain Chomest (of 2003’s The Triplets of … Continue reading →