To describe Japan’s Takeshi Kitano (or Beat Takesi) as anything other than “versatile” is outright unthinkable. While frequently known and celebrated for his forays into crime dramas with a series of films involving cops and yakuza to his credit– Brother, Sonatine, Hana-bi, Violent Cop— Kitano has displayed an unwillingness to be pigeonholed as a participant … Continue reading
A Constant Visual Feast 