Sukiyaki Western Django, 2007, dir. Takashi Miike

Japan’s most recognizable modern symbol of cinematic controversy, Takashi Miike, is a hard man to nail down. Since 1991, he has directed a staggering number of films (totaling in the 70’s at this point), and while there are common threads between most of his movies*, one would be hard-pressed to successfully argue that he sticks … Continue reading →