If you’ve read my review of Drew Goddard’s Cabin in the Woods, you already know I liked it. But even a thousand words can’t fully convey just how much I loved the film, so here’s the first additional two thousand words of an additional four thousand. In this first entry, I discuss the film’s meaning as a love letter and admonishment to the horror genre itself. Continue reading »
Alternate title: How The Avengers turned me around on one of the most beloved proprietors of genre franchisement of the modern age. Continue reading »
The Avengers didn’t have to do much to impress me. Being as honest as possible, Joss Whedon’s attempt at making a respectable entrance into the 2012 summer season with the capstone picture of Marvel Studios’ long-gestating superhero bonanza just needed to be tolerable to get a pass from me. Put bluntly, C-level material alone would … Continue reading »
With Cabin in the Woods, Drew Goddard and Joss Whedon have crafted the new yardstick by which all horror films released in its wake will be judged. That analogy’s somewhat mild and unseasoned. More accurately, they’ve saturation bombed the genre with barb-filled ordnance wrapped up in one enormous love letter, launching a payload containing their affections … Continue reading »
Well, we’re almost into April, and I can only imagine that in the coming thirty days we’ll see the campaign promoting the May 2nd release of The Avengers ramp up in a big way. Marvel’s unleashed some new screen caps here and there to follow up the truly horrible poster released at the end of February and … Continue reading »
In my book, 2011 has been a great year for movies. Good stuff has abounded throughout this particular revolution of the planet, both on the side of light lifting– Limitless, Paul, Cedar Rapids, Captain America– and in the realms of more substantial material, such as Drive, Weekend, The Tree of Life, and Win Win. Even … Continue reading »
