I realize that in a few months time, I’ll be cobbling together a top ten list for 2011 as I’ve done for the past two years that A Constant Visual Feast has been up and running. But 2011 has been a good year cinematically, for me specifically and for film in general; I’ve seen more … Continue reading »
Drive– which I flat-out loved– marks the sort of film that oozes with stylishness but only as a means to an end. Nicolas Winding Refn’s neo-noir crime thriller brandishes a clear and unabashed devotion to aesthetic, design, and attitude which at a cursory glanced could be interpreted as the director’s emphasis on style over substance, … Continue reading »
Drive is cool; there’s no way around it. In point of fact I don’t know if there’s a better way to describe Nicolas Winding Refn’s latest film other than in terms of its inherent, blatant coolness, or more accurately a more appropriate way. “Cool” is what Drive embodies in every single detail, minute or otherwise; … Continue reading »
